Write Or Die

I have come to an impasse.  For years, decades – in fact, I have taken the roads others have encouraged or demanded of me or abandoned those that asked too much or too little.  Now, at the midpoint of my life, I find myself with nothing to show but expired certifications, unused degrees, and dusty accolades no longer relevant to any course I care to walk. 

My brief adventure in theater ended when I declined a spot on the casting couch.  I assumed the girl who got that part accepted.  Having encountered the same offer at my next big audition, I lost my taste for the business.  If I wanted to be a sex worker, I would swing from a pole and make considerably more money with significantly less rejection and effort.  I decided to wait tables and recalibrate.

A few years later, I went to school for Education, but all ambition I had to inspire children went out the window when I was told by a principle my lesson plans were “too interesting and creative,” that I needed to “focus on the [state-mandated, standardized] test,” and I needed to “stop working so hard.”  I switched districts and found new footing, but my first child came and I decided to stay home during the early years.  When I returned, five years later, I found out I had to start over.  From the bottom.  That meant substitute teaching and working as an aide, making copies and helping students use the toilet for poverty wages and welfare insurance.  At the time, I was a single parent with a chronic “non-payer” for a co-parent, busting my tail to survive.  In advocation for my students with unique needs, I’d made a pest of myself in the eyes of administration.  After three years of bureaucratic melodrama and literal ass-wiping, having been passed over for a promotions twice because I was “too valuable” in my position, I decided maybe this line of bullshit – I mean, work – just wasn’t for me.

So, off I went to real estate – the BYO of business.  Bring your own license.  Bring your own funding.  Bring your own training.  Bring your own signs, folders, business cards, office fees, copies, access to necessary associations and inventory lists, …  Hell, bring your own customers.  You’re basically paying thousands of dollars each year to the state and the office to provide you with a theoretical structure in which to operate your independent business.  I adore working with people on the sale and purchase of properties.  Trouble is, you need people to work with, and without thousands to spend annually on BYO marketing, research, and advertising, you’re chasing your tail.

Exhausted from trying to catch the fluffy end of my own existence, I circled back around to where I tend to end up: standing alone and in peril, wondering what the next thing is.  What I am finally realizing is that the reason I was ever any good at anything at all is because I write well, the thing that I enjoy doing the most is writing, and that no one – despite countless applications and efforts, no one – is going to pay me to do it for them.

Sure, I could take the fraction of a penny per word jobs.  I could earn a whopping $20 for ten 1700 word articles per week.  (Yes, that was an actual job posting.)  I could also shovel shit at the zoo.  I’d certainly earn more money in less time.  I have a family to feed, and I don’t have time to waste helping those who are both incapable of working my craft and unwilling to adequately compensate me to work it for them.  Eight years after ghostwriting a novelette that never made it to print, I am still kicking myself for letting the rough draft slip away into the expanse of great work never to see the light of day, dropped by hands unable to carry it across the finish line.  It’s almost as saddening as the freelance writing prospects out there.

Meanwhile, the web dumps pages of new content written by communications majors without the good sense or grammar of a middle schooler writing a bullshit essay on a standardized test.  Yet, these jobs are impossibly hard to get and pay little more than one would earn managing the local table-service chain, refunding overcooked steaks and calling Ubers for the Flagged On A Friday regulars. 

Thus, here, we find the impasse.

What is a writer to do in a world that values craft less than word count or click-throughs?  …Where those looking for quality in content are dreamers with shallow pockets hoping to turn a nickel into bait for the broke and talented?  …Where the Learned It On TikToker crowd wants to pay you $15 to write them a book they’ll upload to Audible and make thousands on?

If there is no money in writing for others, one must writer for oneself, and that means getting publishing.

There is no other direction I can go.  Trapped in a labyrinth of failed career choices and dead ends, I have no path but the one laid out before me, the one that leads to the only way out. It’s the one on which I will write my way out.

Many years ago, upon completing my master’s in education, I considered getting a doctorate and pursuing a career as a college professor.  My father cautioned me about the necessity to “publish or perish” when working in the highest levels of education.  A professor who does not write a critical manuscript in their field is as good as gone.  It seems this adorable, albeit threatening, alliterative is now true to life for me anyway. 

As a person who has made a career of leaving jobs that proved financially or spiritually impoverishing, and who has only ever really been skillful at one thing, writing my way out of this life and into the one I want is the only option.  I simply must get my manuscripts bound and on shelves. 

And so the music rings in my head, “Live, life, live, [write] or die.”

What Do You See?

What do you see
When you look at me?
The girl who needs guidance
Or the woman fierce and free?
My heart of clay
Malleable, soft,
Or my warm outer coat
Inviting but course?
The helpless lamb
Who falls into foxholes,
Or sharp white teeth
Guarding tenderest soul?
A creature longing to be pet,
A queen stately and devoted,
A siren casting, calling, wet,
A subject begging and emoting?
I am all of this and more,
The Madonna and the whore,
An inspiration,
A call to fight,
The promise of love,
The threat of a bite,
The thing that remains
Loyal and true,
The heat of red,
The cool of blue.
What is it one must do
To own me, they wonder.
Most who come calling
Leaving crawling asunder.
Bare your teeth,
And your soul.
Turn me loose
But command, patrol.
For the alpha submissive
Is the rarest of finds
Who will come, sit, stay, kneel
For the rarest of kinds.

JMK (11/18)

Untitled (Ask me…)

Ask me about religion
And I will tell you I have none,
No books command my soul,
No preachers or priests, flawed humans in control.
The universe is my temple,
The stars are the heavens of which the ancients spoke,
My conscious is my compass.
My love is my true north.
It aligns with the center of my chest,
Illuminating the path through this world to the next.
Science proves the evidence for creation,
A miracle far larger than any told in the fairytales that cornerstone the arcane doctrines of modern man.
Ask me about faith
And I will swear I am held by it,
Comfortable with the notion
That all things manifest as they should.
I keep bright the light within
And trust the movement of spirits tied to me by love alone
To guide me through this passage,
So I walk fearlessly upon the earth,
My temporary home.
Ask me about prayer
And I will say the words that come forth,
Unfettered and unrehearsed,
From the core of my existence
By ignition of perceptible burn
Radiating with the warmth of sincerity,
And I will whisper them soundlessly
To the winds that carry the souls of countless lovers and others
Released from their being
Long before our names are called.
Ask me about death
And you will see I have no fear of it,
Except that it might be untimely
Upon my children or me,
For a mother must attend as long as she can
But not outlive her usefulness
And be a burden to her young who are burdened with their young.
Death is merely a return
And it is only hard for the living.
Ask me about life
And I will summarize the aforementioned idealities
Of faith and love and light,
Of fearlessness and prayer,
Ungoverned by a ruling class of vicars educated in the obsolete
And misguided in their vision of our human evolution.
For we are not the children of a god
All seeing and all knowing,
But fragments of a universe it created,
Perhaps by its death.
We are sparks of light and chemistry
Exploding momentarily
In subatomic works of art,
Created and recreated
Across an inconceivable vastness,
A landscape of time and space
Imperceivable to its residents
Eternal in their truest form.
Live.
Just live
Through all the love you can endure,
And perish
From this life
With grace
And the knowledge that this is not all of it
And you need not know the rest.
September 26, 2019

Untitled (Kiss Me, Sweet Current)

Kiss me, sweet current
Take me into your depths
I want to be washed away
I want to be out of breath
To pair no more my skin
To the lashings of this place
To ride the flawless draw of you
To the end of me
And though woe will be of those
Who stay behind
Beyond your banks
To toil some more
May they touch their tears
To see the fears of mine
Be gone and good
All done
Then let them dilute those salty mournings in your waters
As offerings to those who swam before me
Or after
And give thanks to thee
For my freedom
My floating
My skin soothed
To the same cool blue as you.

Libatious

She was your constant
Your lover
Your friend
Priority
Mistress
She kept you from me
And she ripped us
Apart.
The man you were eroded
As you drank and she sank into you
Your goodness dulled
By the haze of intoxication
Your abuses amplified
By the steady darkening of your mood
So I widened the gap.
You swam in the pain of our parting.
Gulping down mouthfuls
Of hatred and her
And anger and her
And blame and her
Never once reaching
For my hands
Trying so desperately to save us.
Thrashing against every effort
Drowning in denial
You slipped beneath the surface
And were lost to her depths.
A beautiful life
A beautiful wife
Two little men
All yours to defend
But you lost it all
To alcohol.

Falling Down

The pieces are crumbling
Breaking away
Like clay
From the solid form that once surrounded me
Defined me
Was all that I knew
That was built upon you
But now
It’s powder
Just dust
Fistfuls of dirt
On the winds of my changing fortunes
Sand clouds in the desert
I woke in
When the rumbling stopped
When the crashing ceased
When the path that I walked left me weak and diseased
And as the ringing in my ears dulls to a scream
All I can think
Is why,
Why does this keep happening?
Where is the man for whom I can build a castle
A temple
And a throne?
Maybe he’s been
Nothing but a dream
All along.

The Seed

I’m waiting
warm and silent
the pain of the split is over
new shoots of life
wriggle through the cracks in me
reaching slowly
gently
carefully
into my surroundings
selectively seeking
that which will nourish
and protect
not needing the sun just yet
held in the comfortable darkness
the world above
a whispering future
I am ready but not anxious for
the sun
a reward
for the struggle behind me
a promise
of the days before me
but for now
I’m waiting
open and ready
patient and free
warm and silent

The Gentleman Gypsy

In caramels tones
He walks through scared spaces
Seeing the world
Through the eyes of a wandering soul
Ageless and free.
He’s made his way
Down a strange and varied path
Winding, weaving
But as wide as the mind inside.
His narrow gaze
Casual in its reception
Reflects the miles it has seen
But he averts it
To keep the distance from those he needs not connection.
His demeanor pleasant
But controlled
An enigma
A stoic
With a broad laugh
And a devilish grin
That is as deadly as it is inviting.
Inside he is hot
A fire creative, colored, divine
Licking his life, his spirit, his sex
But breathing beneath
A water-like surface cool to the eye
Serene and complex.
Good temperament
Earns him favor
Respect
While he succumbs to his need
To give and protect
It roots him to many who know him
But by little more than reputation
And name.
He sleeps in places
Not his own
But has made to his abode
For however long this piece lasts
And that’s somehow unknown.
His place
Like his soul
Is centuries old
And he respects what is gold
To those who know the value of that which is priceless
Of wood and of glass
And of the poor man’s past.
He labors long
His hands set working
To give new life to old things
His taste not fine
But telling
Of lives he might have lived and lost.
The art of men just like him
The things they labored over
Sit good as new with dust in corners
Unhung
They’re waiting
For the man to find his home.
Lankily, he goes
Tall in his domaine
Which travels on his spirit
Set to ever roam
Until the gentleman gypsy
Comes to meet his own.

The Honey Go

They hurry to the hive

Making stops at where the fluids flow

Moving smoothly as they come and go

And whisper as they pass

In hums and beats that ripple like wings

And tickle their feets

And then the honey go.

With wiggling tails

And suspenders pulled

Wide out from chests that heave and ho

Deep down in the honeycomb

They swing around

In joyful bellows

With their happy fellow fellows

And shake when the honey go.

In glistening golds and browns

It pours unto and all around

Coating everything in its soul

Pulling people from their seats

Drawing them across the floor

Toward the so so sweet

That they call the honey go.

Voices shout and vocalists pout

And guitars slide so long

Spilling into the room

The richest, rightest of all the finest

Sounds that ever were

Weeping and groaning

Soulfully moaning

The achingly sexy hue

Of all that flows and alluringly goes

From show to show to show

And at every turn

They come to buzz

About where the honey go.

 

February 6, 2014

This poem was inspired by the blues club scene from the movie Black Snake Moan with Samuel L. Jackson and Christina Ricci.

Catharsis and the Captive Soul

Some of us are captives. We are imprisoned by the world and even the very bodies in which we live. We have a terrible and insatiable desire for freedom from all that is and all that we are. We express ourselves in a myriad of passions in an effort to exude our existence and find release from our thoughts and emotions. We breathe ourselves out, making heat marks on the windows of the world, and we constantly daydream about how to break the glass and the adventures of escape beyond. Resisting our instincts leaves deep wells of insecurity and knots of anxiety that trap us in a maze of discontentment and indecision. Our minds are busy, our hearts are raw, and we seek, above all things, catharsis.

I was not particularly familiar with the word “catharsis” until recently when I smashed the foggy glass of my most inner prison. Led by a reconnection with my art, I had to relocate my inner voice. I had no idea where I would find it, as it had been so long since I’d listened… Perhaps, I never truly had at all. My search brought me to a point of introspection and eventually self-dismemberment. Anyone who has ever screwed up an assembly can tell that, at some point, the best idea becomes to just take the whole damn thing apart and start over.

As I listened, I honed in on its location and followed the sounds. Soon, I found myself headlong down the rabbit hole called Me. I’m not sure if I jumped. Maybe I tripped and fell. My leading suspicion, however, is that Fate pushed me. Whatever the circumstances of the plunge, they are irrelevant as I tumble to the depths of my soul, through the menagerie of images both lovely and terrifying. I have no idea where the bottom is or what I will find when I get there but, truth be told, it doesn’t much matter because the drop is cathartic.

There is something about being at odds with yourself that forces you to change your paradigm. The path to a new definition is literally mapped by emotional conflict – each one ending, as all conflict does, with resolution. Without said ending, the conflict would simply continue. In order to move forward, one must pass through, first, peril then release. So, like a ragdoll down the hallway stairs, I list as I fall, feeling pain only when I tense against the inevitable impacts. The greater my resistance, the greater the pain, and the greater my peril, the greater the release. Thus leading me to the conclusion that the less I resist and the more I welcome the discomfort of self-evolution, the less painful and more cathartic the experience becomes.

The question one would ask is, of course, what is at the bottom? Just another paradigm, I suppose; another set of windows to breathe upon and tap at while I build up the courage and that which I will free myself of in the next plummet. An endless series of falls, each one a search for weightlessness, for split seconds of perfect freedom, for the enrapturing moments of catharsis… Such is the journey of the captive soul.

In many ways, writing helps this process because it gives me a chance to deepen my experience by forcing me to put my thoughts and feelings into words. It makes me look at the central issues of each conflict and expand them with focus and meaning. If I can transfer what I am feeling into a set of words, I am naming the parts that contribute to the whole, breaking down the pieces, and examining how they interact with one another. I am essentially explaining it to myself. What I discover about myself and the conflict are not always what I wish to be the case and it often tightens the knot of peril, but when I consider the heightened release I find it is usually a worthwhile exchange – even if it is less than comfortable.

The interesting thing about being among these captive souls, about catharsis in general, and about living this experience as an artist is the inescapable nature of these circumstances. Play as I might at suburban housewife, at mother and baker of kindergarten party treats, I understand that at the core of me, I am indeed this first. I can take on duties, titles, and responsibilities of all types, but at the end of the day the thing I desire most is to sit and write and breathe against the glass… tap, tap, tapping away and dreaming of how the shards will fly as I break through to the next drop – free and cathartic.